{"id":839,"date":"2022-11-03T11:22:30","date_gmt":"2022-11-03T10:22:30","guid":{"rendered":"https:\/\/www.volcanicattitude.org\/?p=839"},"modified":"2022-11-03T12:21:47","modified_gmt":"2022-11-03T11:21:47","slug":"fabrizio-perghem-prova-desiree","status":"publish","type":"post","link":"https:\/\/www.volcanicattitude.org\/en\/fabrizio-perghem-prova-desiree\/","title":{"rendered":"Fabrizio Perghem_Prova Desiree"},"content":{"rendered":"
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FABRIZIO PERGHEM<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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(Rovereto, 1981). Vive e lavora a Milano<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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His works are \u2018document-devices\u2019, in the form of audio tracks, Polaroids and sculptures, aimed at\ntriggering the visualisation of situations and materials that are no longer present or invisible. dispositivi-documento<\/i>, sotto forma di tracce audio, polaroid e sculture, volti a innescare la visualizzazione di situazioni e materiali non pi\u00f9 presenti o invisibili<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Initially a visual artist, Patil later became interested in the intersection of performance art, kinetic art, and video installation. After discovering his affinity for performance art, he grappled to understand his father\u2019s work as a theater activist. He encountered an old dictaphone tape recorder, a walkman, and cassettes filled with sounds and immigrant dialects that his father recorded for his avant-garde scripts on the dilemma of living in the city as a migrant. He also found songs handwritten by his poet grandfather. The songs are rooted in a protest tradition called powada, that dates back to the seventeenth century. Much like rappers, the interpreters furiously spit out words, often criticizing the caste system.<\/p>

\u00a0 \u00a0 For his contribution to documenta fifteen, Patil invites collaboration across time. Young Powada writers and musicians, the Yalgaar Sanskrutik Manch, weave their lyrics with his grandfather\u2019s. \u201cIt\u2019s a way to think the now, combining what\u2019s harsh and polite, sweet and silent, pitching a criticism of land politics and social separation,\u201d Patil says. \u00a0He draws the visitors into journeys within the city from his childhood. His father\u2019s friend, Anil Tuebhekar, moved on skates, a broom in hand and a radio at his waist, sweeping the street, every day. \u201cHe cleaned the city, but knew he wasn\u2019t welcome into the bus or in the hotel for a drink of water. Shutting the world out with music was his individual protest.\u201d<\/span><\/p>

Patil\u2019s work has been shown at Yokohama Triennale (2020); Goethe-Institut\/Max Mueller Bhavan, Mumbai and New Delhi (2019); The Showroom, London (2018); Tensta konsthall, Stockholm (2017); Centre Pompidou, Paris (2017); Pune Biennale Habit-Co-Habit (2017); New Galerie, Paris (2016); Dakar Biennale (2016); Myym\u00e4l\u00e42, Helsinki (2015); Japan Foundation, Delhi (2015); and Stedelijk Museum, Amsterdam (2015).<\/span><\/p>

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fabrizioperghem.com<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Fabrizio Perghem. Ph. Fabio Rossi<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Fabrizio Perghem, prove di allestimento sul cratere di Vulcano, 2022<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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LUOGHI D’INTERVENTO<\/p>

Cratere di Vulcano – Vulcano<\/p>

Spiaggia delle Sabbie Nere – Vulcano<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Fabrizio Perghem, proiezione video dell'installazione opera, Vulcano, 2022. Ph. Davide Pompejano<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tEmail\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":126,"featured_media":809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scopri-di-piu"],"acf":[],"yoast_head":"\nFabrizio Perghem_Prova Desiree - Volcanic Attitude<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.volcanicattitude.org\/en\/fabrizio-perghem-prova-desiree\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fabrizio Perghem_Prova Desiree - 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